Monday, 25 November 2013

Clip Links

Sands of Iwo Jima Raising the Flag:

http://www.youtube.com/watch?v=-2Ym1rmWr3s





Flags of our fathers Raising the flag:

http://www.youtube.com/watch?v=HAbfC8zPgug




Sands of Iwo Jima:

- It is never acknowledged that the flag they put up in the picture was the second flag which suggests that director didn't want the audience to think about the shot being staged because that picture was still a very iconic picture.

- Sands of Iwo Jima uses makes us sound to create a dramatic effect when CUs are used as the main characters look up to the flag. This is an example of how Directors use cinematic techniques to influence the mind's of the audience.

- In Sands of Iwo Jima a low angle shot is used as they raise the flag to show the audience heroic these men were.

- In Flags of our Fathers the camera man says how he didn't like the picture which is probably what was actually said.

- Flags of our Fathers concentrates on the camera men this emphasises how the film gives a more realistic view on the war.

Sands of Iwo Jima: Here's an example of how enemy is portrayed as useless in combat:

 

Flags of Our fathers shows how the Americans took very heavy losses on the beaches:


Sands of Iwo Jima:

- Shows no one getting killed ( Makes them look invincible, brave, patriotic, heroic, doesn't show the reality of war) 00:00 - 00:37

- Uses a mixture of real war clips and acted clips ( Possibly to keep the costs down and also to make the film seem more realistic and create a stronger connection with the audience of the time) 00:00 - 00:37

- When one of main characters is shot a medium long is used to capture his reaction, one of his friends stops to help but he insists he leaves him. However they come back to save him without anyone getting killed  (Very unlikely).
00:40 - 00:48

- When Sgt. Stryker is ambushed by a Jap one of his men save him and he kills the Jap without a fight  (This shows how the Japs were shown as being hardly able to fight in actual combat, portraying all the American soldiers as amazing in hand to hand and almost 'invincible' when the reality was they were equally as good) 01:15 - 01:20

- This film uses mostly medium shots and Close Ups to create a more personal connection with the main characters.

-When another character is shot dramatic music is played to mark the moment ( Once again the soldier gets a last few heroic words.) 2:01 - 2:12


  Sands of Iwo Jima de-humanises the Japs, portraying them as evil:






In Letters from Iwo Jima we see how the Japanese are people just like us:

https://www.youtube.com/watch?v=rGEdunqTVfc



Sands of Iwo Jima:

In Sands of Iwo Jima the Japanese are portrayed as in-humane and evil as shown in this clip through the little smile that the Jap has when killing an American, suggesting he is enjoying himself. A medium shot was used here to show the mans expression to get a reaction from the audience.
00:27 - 00:29

Letters from Iwo Jima:

Here in this scene we see how cinematic styles have been used to portray characters as strong and weak. As Baron Nishi enters he is shot at a low angle with the very little light cast on him causing a feeling of uncertainty. As he takes of his coat he emerges from the darkness the shot is still a low angle, however as he sits down the camera follows him resulting in a more normal CU shot. A high angle is also used so show the weakness of the American. Here we can see a direct contrast of the films since the Americans in Sands of Iwo Jima are constantly shot in ways which reflect their heroism and strength through the use of high low angles and CU shots while the Japanese are actually very rarely shot if they are it will one being killed.

In Sands of Iwo Jima each main character always gets a heroic death with a few last words:





The Soldiers are portrayed as happy to be there because they've got plenty of supplies:













































Wednesday, 20 November 2013

Independent Study: Rationale

For my Independent Study I will be examining how cinematic techniques in wartime and post war American war movies such as Sands of Iwo Jima were used for propaganda purposes to glorify war.
I will then compare this films cinematic techniques with more recent American war movies such as Flags of Our Fathers and most importantly Letters from Iwo Jima both of which are companion films that see the war from both the American and Japanese perspectives. I will be investigating how war movies have evolved from propaganda to feature films.

Monday, 11 November 2013

Independent Study: Research


What types of films are you interested in?

War, Action, Adventure, Sci-fi, thriller, Horror

Why are you interested in these sort of films?

Since a young age I've had an interest in WW2 along with that action and adventure. I just like watching things blow up and protagonists mow down hundreds of bad guys with a machine gun.

My interest in Sci-fi films is quite recent. I've only really started to like them in the past few years.
I really like being able to see what the world could potentially be like e.g a utopian society ( Star trek) or a hellish, over populated world with an ultra elite class ( Elysium ).

Give an example of one particular film from this genre that you find exceptionally interesting?

Letters from Iwo Jima (2006)
Flags of our Fathers (2006)
Sands of Iwo Jima (1949)

Give your reasons for why this particular film interests you?

The films listed above are all WW2 films which is a genre I love, mostly for the action.
I also like how Flags of our Fathers and Letters from Iwo Jima interlink to tell the story from both sides of the war.

Letters from Iwo Jima (2006)

Who made this: Clint Eastwood

Why: To show the battle of Iwo Jima from a different perspective but to also show how the men who fought were very similar in that they were all fighting a war that they didn't necessarily want to fight.

What can you tell about the Filmmaker: Clint Eastwood was very interested in making a film about the Battle of Iwo Jima since there had never been one before

For Whom was it made: 

What is the nature of our engagement with film: 

What outside influences can we perceive in terms of finance, ownership, institution, socio-cultural context: Paramount Pictures and Warner Bros. Pictures

What tradition is it in: US War Film

To What other works might it be connected: Flags of our fathers